Many artists begin with a concept and then create a work. Agenor’s process seems almost the reverse. The work emerges first—from attentive listening—and meaning reveals itself afterward.

In a figurative sense, the relationship between a musical composition and an instrument resembles that of a canvas and the marks it bears. This is why the analogy with abstract art feels so natural. this music often behaves like abstract painting, where relationships between color, shape, and surface create a sense of suspension and ambiguity.

Agenor’s contemporary sensibility reveals a deep attention to touch, resonance, and texture. Yet the music is equally guided by the instincts of spontaneous creation, where each gesture arises from the living moment. He shifts composition away from a purely intellectual process toward a physical and tactile act. Just as a painter responds to the texture of the canvas, the absorption of the paint, and the movement of the hand, Garcia’s music emerges from a direct encounter with the instrument.​